Books


About The Savage Kind

The iconic femme fatale has been misunderstood. This novel is my homage to her—the sympathetic coming-of-age story she deserves.

Two lonely teenage girls in 1940s Washington, DC, discover they have a penchant for solving crimes—and an even greater desire to commit them.

Philippa Watson, a good-natured yet troubled seventeen-year-old, has just moved to Washington, DC. She’s lonely until she meets Judy Peabody, a brilliant and tempestuous classmate. The girls become unlikely friends and fashion themselves as intellectuals, drawing the notice of Christine Martins, their dazzling English teacher, who enthralls them with her passion for literature and her love of noirish detective fiction.

When Philippa returns a novel Miss Martins has lent her, she interrupts a man grappling with her in the shadows. Frightened, Philippa flees, unsure who the man is or what she’s seen. Days later, her teacher returns to school altered: a dark shell of herself. On the heels of her teacher’s transformation, a classmate is found dead in the Anacostia River—murdered—the body stripped and defiled with a mysterious inscription.

As the girls follow the clues and wrestle with newfound feelings toward each other, they suspect that the killer is closer to their circle than they imagined—and that the greatest threat they face may not be lurking in the halls at school, or in the city streets, but creeping out from a murderous impulse of their own.

About Dodging and Burning

In a small Virginia town still reeling from World War II, a photograph of a beautiful murdered woman propels three young people into the middle of a far-reaching mystery.

A lurid crime scene photo of a beautiful woman arrives on mystery writer Bunny Prescott's doorstep with no return address―and it's not the first time she's seen it. The reemergence of the photo, taken fifty-five years earlier, sets her on a journey to reconstruct the vicious summer that changed her life.

In the summer of 1945, Ceola Bliss is a lonely twelve-year-old tomboy, mourning the loss of her brother, Robbie, who was declared missing in the Pacific. She tries to piece together his life by rereading his favorite pulp detective story “A Date with Death” and spending time with his best friend, Jay Greenwood, in Royal Oak, VA. One unforgettable August day, Jay leads Ceola and Bunny to a stretch of woods where he found a dead woman, but when they arrive, the body is gone. They soon discover a local woman named Lily Vellum is missing and begin to piece together the threads of her murder, starting with the photograph Jay took of her abandoned body.

As Ceola gets swept up playing girl detective, Bunny becomes increasingly skeptical of Jay’s story about the photograph and begins her own investigation into Lily’s murder. A series of clues lead her to Washington, DC, where she must confront the truth about her dear friend—a revelation that triggers a brutal confrontation that will change all of them forever.


Praise for Dodging and Burning ...

“Copenhaver makes a powerful debut with this unconventional novel that mixes a coming-of-age tale with a puzzling mystery and a haunting portrait of the experiences of the LGBTQ community in the 1940s. Admirers of William Kent Krueger’s Edgar Award–winning stand-alone, Ordinary Grace, may appreciate this candid story.”

Library Journal (Starred Review, Debut of the Month)

“Complex and multilayered, Copenhaver’s outstanding debut combines a murder mystery with a coming-of-age tale. [His] darkly lyrical exploration into the consequences of war—and prejudice—in small-town America will resonate with readers long after the last page is turned.”

Publishers Weekly (starred review)

“A riveting debut. The intricate plot melds a coming-of-age story, a coming-out tale and a mystery with realistic characters who want to be accepted for themselves. The brisk pace is augmented by the character studies and an in-depth look at gay rights. Gay and lesbian mysteries have been published for decades. Columnist and short story writer Copenhaver brings a new voice to this genre with Dodging and Burning.”

—Oline Cogdill, Associated Press

“LGBTQ crime-writing has its heroes. John Copenhaver lists many of them. He may have to add himself to that list now.”

Neil Nyren, BookTrib

"On the widest possible level, John Copenhaver’s Dodging and Burning is crime fiction featuring LGBTQ+ themes, however to pigeonhole it as simply that is to vastly under-appreciate this fine novel. Dodging and Burning is a historical novel depicting the coming-of-age of several different characters during a time when their moments of self-discovery clash with the ideologies of the larger community."

—BOLO Books

"Copenhaver beautifully addresses the difficulties faced by two gay men in this time period, and the dangers of such a love, a story that will break readers’ hearts.”

—Erica Ruth Neubauer, Mystery Scene Magazine

“Dodging and Burning has some absolutely lovely writing, filled with deep imagery and complex, living characters … The final few pages are an absolute gut punch, one which is vital. This is a book that must be read and discussed with as many people as possible. Very highly recommended.”

—Kristen McQuinn, Historical Novel Society, Editor’s Choice

“Copenhaver beautifully renders the lives of four young people through alternating lenses of photographs, letters, diary entries, notes, and other documents.”

—Washington Independent Review of Books

"Whatever your expectations for this novel are, put them aside. You will not be able to predict a single twist or turn to this book. "

—MysteryPeople

“The mystery also becomes an examination of gay life in the 1940s. The setting is well realized, and, interestingly, in its diction and syntax, the book reads as if it might itself have been written in the 1940s.”

—Booklist

"A photograph of a dead girl prompts some savvy amateur detective work in post-World War II Virginia, but Dodging and Burning ultimately explores deeper mysteries as well: about who we are, who we want to be, and how the bonds of friendship—and of betrayal—can tie people together forever. Copenhaver’s first novel also focuses on storytelling, on the stories we tell others, and ourselves, to survive, all of it brilliantly interwoven, with twists mounting even in the final pages. A superior debut—suspenseful, substantial."  

—Art Taylor, Agatha Award-winning author of On The Road with Del & Louise

"I'm a big fan of John Copenhaver's elegant work. He's a sophisticated stylist who can break your heart right before he turns devilish. Highly recommended."

—Luis Alberto Urrea, author of Into the Beautiful North and The Water Museum

"Dodging and Burning is a beautifully rendered coming of age story, a compelling exploration of a young man’s struggle with his sexual identity amid the evils of war, and an impeccably executed crime novel that keeps you guessing and ultimately strikes a deep and resounding emotional cord."

—Ayelet Waldman, author of Love & Treasure and A Really Good Day

"John Copenhaver's bold mystery confronts the consequences of love and war with unflinching candor. The characters may twist themselves up in lies, but the writing never does, offering a piercing glimpse into small town taboos. This novel flirts with and ultimately subverts the expectations of pulp fiction to create something wholly original—David Lynch meets Harper Lee while she's having drinks with Truman Capote. Nothing is as expected in this America of the 1940s when men were expected to be men and women were expected to be wives. Dodging and Burning is a memorable, brilliant debut."

—Erica Wright, author of The Red Chameleon and The Granite Moth

"An astonishing piece of writing, Dodging and Burning is a lyrical, compelling and deeply moving book. A highly original and accomplished novel from a significant talent, it captures its period with elegance and simplicity, and a deftness of touch that brings a tear to the eye. The characters are deeply human in their weaknesses, their loves, and the unfolding tragedy of their lives. It is a book of depth and beauty, surely a classic, to be read and re-read. John Copenhaver is a master storyteller, a confident and gifted writer and this, his first novel, is a clever, brilliant, beautiful work. I cannot praise it enough."

—E. S. Thomson, author of Beloved Poison and Dark Asylum

"The level of detail in Copenhaver’s novel Dodging and Burning displays in full measure the demanding research required to uncover the hidden history of a community marginalized and rendered virtually invisible for much of the 20th century."

—Katherine V. Forrest, author of The Kate Delafield Mystery Series

"Set in 1945, Dodging and Burning is a striking and important debut illuminating the twin traumas of war and repressed sexual identity. A beautifully rendered literary mystery centered around a missing girl and a WWIII photographer’s journey toward adulthood and self-acceptance, the novel keeps you guessing until the very end."

—Aline Ohanesian, author of Orhan’s Inheritance